Almost flawless

To kick off the session, Madame Lule invited me to discover her new creation, les oubliettes. I was honored to be allowed into this dark, intimidating and mysterious prison for a few moments.

In a warm atmosphere with soothing background music, Madame Lule invited me to stand with my back to her on the St. Andrew's cross. She explained that the objective of what was to follow was to find the instrument with which she was going to whip me.

The first instrument, in my opinion, not having seen them, was a whip with fairly wide straps. After a few strokes, she asked me to memorize the feel of the whip so I could recognize it later.

The second instrument was a whip with many straps, offering a heavier impact sensation.

The third instrument was immediately recognizable from the first strokes: a dragon's tongue.

The fourth instrument resembled the first whip, but the straps were either longer or thinner.

The fifth instrument was a dragon's tongue, but with a different, perhaps broader, shape.

The sixth instrument was a silicone cane, easily recognizable among the other instruments.

After trying to memorize these six instruments, Madame Lule handed me a die and asked me to throw it on the floor. The number that would appear would be the number of strokes of one of the six instruments. I threw the die and came up with the number 5. I repositioned myself on the Saint Andrew's cross and tried to concentrate on finding the instrument Madame Lule would choose. After five hits, I realized it was a dragon's tongue, so it was either the third or fifth instrument. On reflection, I told her I thought it was the third instrument. She replied:

- That's right.

I rolled the die again and came up with 4. For this one, I easily recognized the second instrument thanks to its heavy impacts.

I rolled the die again and came up with 2. This time, it was less obvious, so I decided to choose by deduction. I didn't recognize the dragon's tongue, the cane or the heavy-impact whip. Only the first and fourth instruments remained. After some hesitation, I chose the fourth instrument. She replied:

- You're right, you're not doing so badly.

After several throws, I managed to make a near-faultless performance, even though it became harder to tell them apart in the end.

After whipping my back and buttocks, Madame Lule invited me to lie down on a mat on the floor. She brought back a box and told me she was going to introduce me to electrostimulation. She began by rolling an electrified Wartenberg roller along my body. It felt strange, but at the same time pleasurable, with a prickling effect.
She then placed a pair of electrodes on my inner thighs and another on my lower abdomen. She turned on the electrodes and increased the intensity until the first effects were felt. At first, the electrodes delivered pulses to the local area that were both surprising and pleasant for a first-timer. Naturally, when Madame Lule increased the intensity of these impulses, I immediately noticed the other effects of the electrodes. After a while, I could feel that the impulses were becoming more and more intense, and that the repercussions of these impulses were spreading further and further down my legs. It was both surprising and fascinating to see how my body reacted to these stimulations.
Then Madame Lule continued, changing the mode to wave-like impulses. I felt an interesting difference. After a few minutes, Madame Lule told me that her electrodes could be triggered by the wave of a sound.
Then I told her that last month I'd listened to one of her sound bubbles called "Bonheur, Douleur!" published on La Férule, where I'd burst out laughing because Madame Lule and Flonflon had both been electrocuted by the sound's activation of the electrodes. This moment brought back memories for Madame Lule, who gave us a good laugh.

Then I said to him:

- Good thing you didn't play rock music in the background.

- Oh wait, I've got an idea.

After a few moments, Madame Lule returned and said to me:

- I've just changed the music to something by Metallica.

At that moment, I say to myself:

- Oh my god !!!!

In a split second, a logical sequence came to mind.

- Rock is bass, and bass is electrode activation.

I immediately understood what was going to happen to me. As soon as I heard the first notes of the music, the electrodes were immediately activated, and this for almost the entire duration of the song, all to the delight of my muscles! What's more, since I don't listen to rock and don't know this music, I couldn't anticipate the choruses, and every time I was fooled by Madame Lule's laughter.

Then she took up the Wartenberg roulette and started talking into the microphone, and I immediately felt the electrodes activate under the effect of the sound waves.

- How are you?

- Yes, I'm fine (grimacing).

- Are you sure? From the look on your face, I'm not sure (laughing).

- Yes, yes, everything's fine (with a grimace).

A few moments later, Madame Lule got up and returned with a candle in one hand and an ice cube in the other. She began to pour the first drops of wax while sliding the ice cube over my belly, offering a contrasting sensation of warmth and coolness that made me shiver with pleasure.

I was delighted with the session, to have explored aspects of myself I didn't know, and to have experienced an unforgettable moment of discovery and surprise.

Here's a testimonial from K, who is still learning, with each session bringing its own surprises (and pain!).